Måleriet identifieringen:: 10046
Klagan av Christ 1467-68 Olja på ek. 33.8 x 23 cm Kunsthistorisches Museum. Vienna 1440-1482
Flemish
Hugo van der Goes Galleries
Måleriet identifieringen:: 31288
Den Klagan av Christ 1467-68 Olja på ek. 33.8 x 23 cm Kunsthistorisches Museum. Vienna Netherlandish Northern Renaissance Painter, ca.1440-1482
Måleriet identifieringen:: 33348
Den Klagan av Christ mk86 1436 Temperamenten på trä 108x165cm Florence.Museo di San Marschen Fra Angelico Galleries
b.c. 1400, Vicchio, Florence
d.Feb. 18, 1455, Rome
Måleriet identifieringen:: 33566
Den Klagan av Christ mk86 1606 Olja på segelduk 92.8x103.2cm London.National Galleri 1560-1609
Italian
Annibale Carracci Locations
Måleriet identifieringen:: 83100
The Lamentation of Christ Date between 1467(1467) and 1468(1468)
Medium Oil on oak
Dimensions Height: 33.8 cm (13.3 in). Width: 23 cm (9.1 in).
cjr 1440-1482
Flemish
Hugo van der Goes Galleries
Måleriet identifieringen:: 87249
The Lamentation of Christ between 1467(1467) and 1468(1468)
Medium Oil on oak
cyf 1440-1482
Flemish
Hugo van der Goes Galleries
van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
Måleriet identifieringen:: 88300
The Lamentation of Christ c. 1624(1624)
Medium Oil on canvas
Dimensions 155 x 180.5 cm (61 x 71.1 in)
cyf van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
Abraham Janssens van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter.
He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth.
Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded.
His students include Gerard Seghers and Theodoor Rombouts.
The Lamentation of Christ
